MDDI 演讲稿 · 2026-06-18
高级政务部长陈杰豪在数字内容与能力发展计划启动仪式上的致辞
高级政务部长陈杰豪在数字内容与能力发展计划启动仪式上的致辞
要点
- • IMDA 推出4800万新元「数字内容与能力发展计划」,重点支持创作者扩展微短剧、较短篇电视系列等新格式,并推动人工智能工具的应用。
- • 结合2025年12月新加坡媒体节上宣布的2亿新元「人才加速计划」,IMDA 未来数年将向媒体行业合计投入约2.5亿新元。
- • 过去两年数字优先试点项目共制作逾2000条视频,累计本地视频播放量超过2亿次,为新计划奠定实证基础。
- • IMDA 联合精深技能发展局与职总,精选55门人工智能培训课程;40岁及以上学员可获 SSG 最高90%课费补贴,职总「职培援助计划」另补贴余下10%至年度上限。
- • 行业早期实验成效显著:NoonTalk 两周内以 AI 完成五集内容制作并大幅节省成本;Belive Studio 与韩国合作方联合出品的手机优先内容,成本较传统制作方式节省约80%。
完整译文(中文)
MDDI 英文原文译文 · 翻译日期: 2026-06-21
黄志鹏先生,IMDA首席执行官
邓燕萍女士,IMDA助理首席执行官(ACE)
IMDA同事们、媒体业界朋友们以及媒体朋友们。
大家早上好。今天我们在此分享一些公告,内容涉及MDDI和IMDA同事共同制定的一项新计划,旨在支持我们的媒体行业。
众所周知,技术正在改变许多领域,尤其是人工智能(AI)——不仅仅是生成式AI,还包括与之相关的一整套技术。
它正在影响媒体行业的整个价值链,从前期制作和概念构思,一直到制作、后期制作,以及内容如何在众多不同平台上分发、被发现、被各类受众所消费。
但媒体行业早已习惯这种技术变革。很久以前,我们收看的是定时播出的电视节目——坐在电视机前,等待收看最喜爱的剧集的最新一集——如今我们已进入按需收看的时代。从传统的长篇内容,到如今的数字优先、社交媒体优先,算法根据人工智能判断出的偏好向你推送内容,跨越广播、互联网、社交媒体平台乃至人工智能等不同平台。
我们接下来将走向何方?这对我们所有人都深感珍视的媒体行业又意味着什么?
我认为,归根结底,关键在于连接。在于我们讲述的故事能否与观众产生共鸣,能否在他们走出影院之后、在手机或任何平台上看完某集内容之后,仍在他们心中留下印记。故事能否将他们与更深层的东西相连接,让他们欢笑、落泪、沉思,并与他们内心深处所珍视的东西相呼应——他们的身份认同、共同经历、人类情感?在这个全新的数字时代,我们如何与观众建立连接?
我们处于有利地位。我们的行业拥有出色的人才——台前、幕后、镜头后的讲故事者。我们的"新加坡制造"内容正在全球大放异彩——从Anthony Chen的《We Are Not Strangers》入选柏林国际电影节金熊奖竞赛单元(这是首部角逐该奖项的新加坡电影),到Ervin Han的《The Violinist》(以新加坡战前战后为背景)。这表明,新加坡人的生活经历同样受到这片红点之外的人们的欣赏,因为这些故事讲述的是人与人之间的连接,是真实而朴素的情感。
我们拥有良好的起点,"新加坡制造"内容已在新加坡以外掀起波澜。与此同时,原地踏步并非选项。我此前提到了一些重大趋势——新平台、在这些平台上涌现的新受众、新内容形式、微短剧、AI生成内容。
我认为,我们同样应将这些趋势视为机遇。请允许我进一步阐述。
新加坡的市场,尤其是媒体行业的市场,与许多其他行业一样体量较小。但以传统方式创作内容——无论是长篇电视剧、视觉特效、后期制作还是动画——都需要数百万美元的预算,以及漫长的创作、发行和营销周期,才能迎来任何商业化机遇。而借助数字技术和AI工具,内容创作的时间大幅压缩——从概念到初稿、首个动画、首次上线,再到制作与商业化。它缩短了周期,降低了各类内容形式的入门门槛。
这些都是机遇,尤其对新加坡人才而言。但与此同时,当你降低入门门槛时,也会催生市场上的新进入者——不仅限于传统内容创作者,还涵盖数字原生代内容创作者、各类企业,乃至使用数字平台创作内容的个人。
归根结底,我们应当十分清醒——当谈到创作能够引发共鸣、广泛传播、令人流连忘返的内容时,技术并非要取代我们。它只是让内容创作者能够更快速地试验、原型化和创作不同内容,触及新的、不同的受众,跨越不同形式,并创造新的机遇。
在过去几年里,我们与在场的许多人密切合作,尝试以不同形式推出各类数字内容,以便更好地了解如何支持这类短视频、社交优先、数字优先的内容。过去两年里,我们收获颇丰。我认为我们是共同学习的——有许多磨合中的阵痛、经验教训与心得体会,但我也要说,过去两年取得了令人鼓舞和振奋的进展。
我们共同创作了逾2,000个视频,坚持数字优先、社交优先,并实现了逾2亿次本地视频播放量。我必须说,这非常令人鼓舞。
我们正在这一基础上继续前进。今天,我们正式推出新的"数字内容与能力发展计划",以支持数字内容创作者,尤其是那些正在扩大规模的创作者。
该计划分为两个部分。我们将在未来几年内拨出4,800万新元,用于支持数字内容与能力发展——涵盖新形式、新技术,尤其是在AI应用方面。
我认为,4,800万新元是一个合理的起点。如果成效良好,如果我们看到切实价值,如果业界认为这对其发展抱负有所助益,我们准备进一步加大投入。
这是对去年12月我在新加坡媒体节上宣布的2亿新元"人才加速计划"的补充。该2亿新元计划更侧重于长篇内容、更成熟的形式及能力发展。
未来几年,IMDA将合计拨出约2.5亿新元支持媒体行业。
这是行业快速变革的时期。受众正以截然不同的方式在众多不同平台上消费内容,内容的创作、发行与变现方式也涌现出新的参与者和商业模式。
在这一快速变革时期,我们正与业界携手共同把握机遇。我们新加坡没有假装这些变化和环境驱动因素不存在的余地。我们如何共同穿越这片新天地,并发现新加坡以外的新机遇?
"数字内容与能力发展计划"将支持希望在更成熟形式上扩大规模的数字内容创作者。我们将就微短剧、较短篇电视剧等领域征集提案,同时支持能力发展。
这些是更具实验性、创新性的形式,借助AI工具以不同方式创作内容。虽属实验性质、可能尚未经过验证,但我们希望支持那些有意创新、勇于尝试不同事物的内容创作者和企业。
除"数字内容与能力发展计划"外,我们还与技能创前途(SkillsFuture Singapore,SSG)和全国职工总会(NTUC)等其他机构密切合作,精选一批AI培训课程,作为全国AI影响计划的组成部分。
在SSG网站上,有数百乃至数千门AI相关课程——其中部分可能并不那么切题。为了梳理我们认为媒体行业需要建立的课程与能力,我们与SSG协作,并听取了在场部分人士的意见,精选了55门课程,将在IMDA网站上呈现。如果您觉得逐一浏览所有课程令人不知所措,不妨查阅IMDA网站——那里精选的55门课程或许是一个很好的起点。
这些课程获SSG支持。如果您年满40岁,最高可获90%的课程费用补贴。我们已与NTUC合作,通过工会培训援助计划(UTAP)补贴剩余10%,但设有一定的年度上限。此外,您还可使用技能创前途学分支付剩余费用。
这些课程种类多样——有长达文凭级别的长期课程,也有来自不同提供商的短期课程,旨在培养在这一快速演进的数字环境中所需的不同能力与技能。
重要的是,培训、参加课程、建立技能组合与能力,必须落实到应用层面——为你的公司或工作创造真正的价值。请将"数字内容与能力发展计划"视为支撑实际成果的抓手。在参加课程之前,不妨先想想你希望在工作场所解决的问题,或者你想培养的能力,例如,利用 Gen AI 进行故事板创作,或使用某些工具为特定项目制作动画。带着这样的目标出发,思考你希望派员工或自己参加哪些课程,再将所学知识运用到实际项目和新的实践中,期望这能形成一个良性循环。
我也希望大家能给我们提供反馈——哪些做法有效?哪些不奏效?哪些课程有用?请将反馈告诉我们,以便我们在推进过程中不断完善和调整计划。
计划与培训应当相辅相成,在企业中创造真正的影响力与价值。我非常高兴地看到,许多行业伙伴已经开始探索实践,并与我们分享了一些早期经验与收获,我们已尝试将这些内容融入计划之中。
我知道许多人向我分享了自己的项目,这令我深受鼓舞。
这是 NoonTalk 制作的作品(指屏幕上播放的视频)。据我了解,Dasmond 及其团队尝试了多种不同工具,内容完全由 AI 生成。他们在两周内制作了五集内容,并与我分享了制作过程中大幅节省时间和成本的成果。
这是 Belive studio 与韩国合作方联合打造的移动优先平台内容(指屏幕上播放的视频)。整个制作历时约五周。作品呈现了真实场景拍摄,与多位 K-pop 偶像合作,并辅以 AI 生成的特效。据团队介绍,与传统制作方式相比,成本节省约 80%。
看到许多行业参与者已经开始探索实践,我感到非常振奋。借助"数字内容与能力发展计划"以及相关培训,我们希望能够加速并大力推动这些发展。
我要衷心感谢所有行业伙伴,过去数年来,他们与我们携手合作,共同开发了许多计划。我们也走访了世界各地,汲取优秀实践经验。
我们生态系统的优势在于,我们能够吸取他人的最佳做法,并根据自身需求加以调整和演进——形成一种混合式、独具新加坡特色的方式——汲取最佳理念与工具,并与来自不同生态系统的志同道合的伙伴携手合作。这显然是我们的优势,我们绝不应失去这一优势。关注其他行业、其他生态系统的动向,以务实、实用的态度加以借鉴,甚至做得更好,
但这段旅程并未就此止步。我们才刚刚开启下一阶段的征程,因此我鼓励大家继续与 IMDA 团队保持合作。
这是业界、政府机构以及工会之间的紧密伙伴关系。
最后容我作个总结。在这个快速变革的时代——商业模式、做事方式、人工智能等技术进步层出不穷——原地踏步并非一个选项。对新加坡而言,这不是一个选项;对新加坡媒体行业而言,更不是一个选项。
你们不必独自前行。我们携手同行,共同学习,共同寻找新机遇,共同把握这些机遇。
我们或许只是一个小红点,但我们怀有远大的梦想,志在超越新加坡这片小市场与地域局限。
期待大家在计划持续演进的过程中,继续给予支持并提供宝贵意见。
非常感谢。
英文原文
MDDI 官网原始记录 · 抓取日期: 2026-06-21
Mr Ng Cher Pong, CEO of IMDA
Ms Yvonne Tang, ACE of IMDA
IMDA colleagues, friends from the media industry and friends from the media.
Good morning, everyone. Today we are here to share some announcements on a new programme that MDDI and IMDA colleagues have put together to support our media industry.
We all know that technology is changing many sectors, especially artificial intelligence (AI) – not just Generative AI, but the whole host of technology that comes with it.
It is impacting the entire value chain for the media industry, from pre-production and conceptualisation, all the way to production, post-production, and how content is distributed, discovered, consumed by a diverse range of audiences on many different platforms.
But the media sector is used to such technological changes. Long time ago, we were on scheduled television – sitting in front of the TV, waiting for the time to catch the latest episode of our favourite drama – and now we have moved on to on-demand. From traditional long-form content to now digital-first, social media-first, with algorithms pushing content to you based on your preferences determined by artificial intelligence, on different platforms from broadcast, internet, social media platforms and now artificial intelligence.
Where do we go from here, and what does it mean for media sector that we hold so dear and so precious to all of us?
I believe the end of the day is about connections. It's about stories that we tell, whether it resonates with audiences, leaves an imprint on them, even after they step out the theatre, after watching the episode on their mobile phone or whatever platforms that they consume your content. Does it connect them to something deeper, make them laugh, make them cry, make them reflect, and connect to something that they feel strongly about – their identity, shared experiences, human emotions? How do we connect with audiences in this new digital age?
We are in a strong position. We have talented people in our industry – on screen, off screen, behind the screen, storytellers. Our Made-with-Singapore content is punching above its weight around the world – from Anthony Chen’s “We Are Not Strangers”, selected for the Golden Bear Berlin International Film, the very first Singaporean film to be competing in that arena, to Ervin Han’s “The Violinist”, pre- and post-war setting in Singapore. This shows that our Singaporean experiences are also appreciated by people outside this little red dot, because they talk about human connections, about something authentic and real.
We are starting from a good position with our Made-with-Singapore content making waves outside Singapore. At the same time, standing still is not an option. I mentioned some of the big trends earlier – new platforms, new audiences on those platforms, new content formats, micro dramas, AI-generated content.
My belief is that we should also see these trends as opportunities. Let me elaborate.
Singapore's market, especially for the media sector, is small, like many other industries. But creating content the traditional way, whether long-form TV series, visual effects, post-production, or animation, requires multi-million dollar budgets and long creation, distribution, and marketing cycles before any commercialisation opportunities come about. But using digital technology and AI tools shrinks the time to create content – from concept to first draft, first animation, first screen placement, to production and commercialisation. It shrinks the cycle and reduces the barriers to entry for different forms of content.
These are opportunities, especially for Singapore talents. But at the same time, when you lower barriers of entry, it also enables new entrants in a market – beyond your traditional content creators, to digital-native content creators, different firms, and even individuals creating content or using digital platforms.
At the end of the day, we should be very clear – technology is not replacing us when it comes to creating content that resonates, that travels, that makes people want to come back. It just enables content creators pilot, prototype and create different content more quickly, reaching new and different audiences, across different formats, and creating new opportunities.
Over the last couple of years, we have been working closely with a number of you to try out different digital content in different formats, to get a sense of how we can better support these short-form, social-first, digital-first content. Over the last two years we have learned a lot. I think we all learnt together – a lot of teething pains, lessons and takeaways, but I also say very encouraging and heartening progress over last two years.
Together, we created more than 2,000 videos, digital first, social first, and achieved more than 200 million local video views. I must say, this is very encouraging.
We are building on this foundation. Today, we are launching a new Digital Content and Capability Development programme to support digital content creators, especially those scaling up.
There are two parts to this. We are setting aside $48 million over the next few years to support digital content and capability development – in new formats, new technologies, and especially in how we are using AI.
$48 million is, I think, a sensible start. If the results are good, if we see good value, and if the industry finds this a good support for their ambitions, we are prepared to do more.
This is on top of the $200 million Talent Accelerator Programme, which I announced at the Singapore Media Festival last December. That $200 million programme focuses more on longer-form, more established formats and capability development
Together over the next few years, IMDA is setting aside about $250 million to support the media industry.
This is a period of rapid changes in the industry. Audiences are consuming content in so many different ways across many different platforms, with new entrants and business models of how content is created, distributed and monetised.
In this period of rapid change, we are journeying together with industry to seize opportunities. We in Singapore do not have the luxury of pretending that these changes and environment drivers do not exist. How do we traverse this world together and see those new opportunities outside Singapore?
The Digital Content & Capability Development programme will support the digital content creators looking to scale up in more established formats. We will call for proposals across areas such as micro dramas and shorter TV series, while also supporting capability development.
These are more experimental, innovative formats using AI tools to create content in different ways. Experimental and may have not yet been proven, but we want to support content creators and companies who want to innovate and try out different things.
In addition to the Digital Content & Capability Development programme, we are also working closely with other agencies like SkillsFuture Singapore (SSG) and NTUC to curate a set of AI training courses, as part of the National AI Impact programme.
On the SSG website, there are hundreds, or even maybe thousands of AI-related courses – and some may not be so relevant. To make sense of the courses and capabilities that we think the media industry needs to build up, we have worked together with SSG, with inputs from some of you here, to curate 55 courses that will be on IMDA’s website. If you find it overwhelming to navigate all these courses, take a look at IMDA’s website – the 55 curated courses there might be a good starting point.
These courses are supported by SSG. If you are 40 years above, you can get up to 90% of the course fees subsidised. We have worked with NTUC as part of the Union Training Assistance Programme (UTAP) to support the remaining 10% up to a certain yearly cap. On top of that, you can also tap on your SkillsFuture credit for the remaining fees.
The different range of courses – some longer courses all the way to a diploma, some short-term courses from different providers, aim at different competencies and skillsets needed in this rapidly evolving digital environment.
Importantly, training, attending courses, building skillsets and competencies must lead to something applied – delivering real value to your company or your work. Think of the Digital Content & Capability Development programme as the support for real deliverables. Before you attend the courses, you can think about the problems you wish to solve in your workplace or the capabilities you want to build up, for example, using Gen AI for storyboarding, or using some tools to create animation for certain projects. Start with that in mind, think about the courses you want to send your staff or yourself to attend, adapt and apply what you have learnt in the real projects and new experiences, and hopefully it becomes a virtuous cycle.
I also seek your assistance to give us your feedback – What works? What doesn't work? What courses are useful? Give us feedback so we can refine and adapt the programme along the way.
The programme and the training ought to go hand in hand to make real impact and create real value in organisations, and I'm very glad that you have many of our industry partners already experimenting and sharing with us some of the early lessons and takeaways, which we have tried to incorporate into the programme.
I know many of you have shared with me many of your projects, and I am very encouraged by that.
This is by NoonTalk (referring to video on the screen). I understand that Dasmond and team have experimented with different tools, totally generated by AI. Having created five episodes in two weeks, they shared with me significant time and cost savings in production.
This is by Belive studio, a Korean collaboration on mobile first platform (referring to video on the screen). It took about five weeks to do this. It features real-life action, working with some K-pop idols, augmented with AI-generated special effects. I understand from the team that it saw about 80% cost savings compared to traditional ways.
I am very heartened that many of our industry players have already started experimenting. With the Digital Content & Capability Development programme, as well as our training, we hope to accelerate and supercharge these developments.
I want to say a big thank you to all our industry partners, who have been working with us over the past couple of years to develop many of these programmes. We went to see good practices around the world.
The strength of our ecosystem we can take the best of what others are doing, adapt and evolve them for our needs – a hybrid uniquely-Singapore approach – tapping on the best ideas and tools, and working with like-minded partners from different ecosystems. That is obviously our strength, and we should never lose that strength. Looking at what other industries are doing, what other ecosystem systems are doing, and being pragmatic and practical in how we can adopt and perhaps even do better,
But the journey does not stop here. We are just starting on the next phase of our journey, so I encourage you to continue this collaboration with the IMDA team.
This is a close partnership between the industry, our government agencies, as well as our unions.
Let me just conclude. Standing still in this age of rapid change – in business models, new ways of doing things, age of technological advances like AI – is not an option. It is not an option for Singapore, and it is certainly not an option for the media sector in Singapore.
You do not have to journey this alone. We are walking the journey together. We are learning together. We are finding new opportunities and seizing those opportunities together.
We may be a little red dot, but we have big dreams that go beyond the small market and the geographical confines of where we are in Singapore.
Looking forward to your support as well as your inputs along the way as we evolve the programme.
Thank you very much.