MDDI 演講稿 · 2026-06-18
高階政務部長陳杰豪在數字內容與能力發展計劃啟動儀式上的致辭
要點
- • IMDA 推出4800萬新元「數字內容與能力發展計劃」,重點支援創作者擴充套件微短劇、較短篇電視系列等新格式,並推動人工智慧工具的應用。
- • 結合2025年12月新加坡媒體節上宣佈的2億新元「人才加速計劃」,IMDA 未來數年將向媒體行業合計投入約2.5億新元。
- • 過去兩年數字優先試點專案共製作逾2000條影片,累計本地影片播放量超過2億次,為新計劃奠定實證基礎。
- • IMDA 聯合精深技能發展局與職總,精選55門人工智慧培訓課程;40歲及以上學員可獲 SSG 最高90%課費補貼,職總「職培援助計劃」另補貼餘下10%至年度上限。
- • 行業早期實驗成效顯著:NoonTalk 兩週內以 AI 完成五集內容製作並大幅節省成本;Belive Studio 與韓國合作方聯合出品的手機優先內容,成本較傳統制作方式節省約80%。
完整譯文(繁體中文)
MDDI 英文原文譯文 · 翻譯日期: 2026-06-21
黃志鵬先生,IMDA執行長
鄧燕萍女士,IMDA助理執行長(ACE)
IMDA同事們、媒體業界朋友們以及媒體朋友們。
大家早上好。今天我們在此分享一些公告,內容涉及MDDI和IMDA同事共同制定的一項新計劃,旨在支援我們的媒體行業。
眾所周知,技術正在改變許多領域,尤其是人工智慧(AI)——不僅僅是生成式AI,還包括與之相關的一整套技術。
它正在影響媒體行業的整個價值鏈,從前期製作和概念構思,一直到製作、後期製作,以及內容如何在眾多不同平臺上分發、被發現、被各類受眾所消費。
但媒體行業早已習慣這種技術變革。很久以前,我們收看的是定時播出的電視節目——坐在電視機前,等待收看最喜愛的劇集的最新一集——如今我們已進入按需收看的時代。從傳統的長篇內容,到如今的數字優先、社交媒體優先,演算法根據人工智慧判斷出的偏好向你推送內容,跨越廣播、網際網路、社交媒體平臺乃至人工智慧等不同平臺。
我們接下來將走向何方?這對我們所有人都深感珍視的媒體行業又意味著什麼?
我認為,歸根結底,關鍵在於連線。在於我們講述的故事能否與觀眾產生共鳴,能否在他們走出影院之後、在手機或任何平臺上看完某集內容之後,仍在他們心中留下印記。故事能否將他們與更深層的東西相連線,讓他們歡笑、落淚、沉思,並與他們內心深處所珍視的東西相呼應——他們的身份認同、共同經歷、人類情感?在這個全新的數字時代,我們如何與觀眾建立連線?
我們處於有利地位。我們的行業擁有出色的人才——臺前、幕後、鏡頭後的講故事者。我們的"新加坡製造"內容正在全球大放異彩——從Anthony Chen的《We Are Not Strangers》入選柏林國際電影節金熊獎競賽單元(這是首部角逐該獎項的新加坡電影),到Ervin Han的《The Violinist》(以新加坡戰前戰後為背景)。這表明,新加坡人的生活經歷同樣受到這片紅點之外的人們的欣賞,因為這些故事講述的是人與人之間的連線,是真實而樸素的情感。
我們擁有良好的起點,"新加坡製造"內容已在新加坡以外掀起波瀾。與此同時,原地踏步並非選項。我此前提到了一些重大趨勢——新平臺、在這些平臺上湧現的新受眾、新內容形式、微短劇、AI生成內容。
我認為,我們同樣應將這些趨勢視為機遇。請允許我進一步闡述。
新加坡的市場,尤其是媒體行業的市場,與許多其他行業一樣體量較小。但以傳統方式創作內容——無論是長篇電視劇、視覺特效、後期製作還是動畫——都需要數百萬美元的預算,以及漫長的創作、發行和營銷週期,才能迎來任何商業化機遇。而藉助數字技術和AI工具,內容創作的時間大幅壓縮——從概念到初稿、首個動畫、首次上線,再到製作與商業化。它縮短了週期,降低了各類內容形式的入門門檻。
這些都是機遇,尤其對新加坡人才而言。但與此同時,當你降低入門門檻時,也會催生市場上的新進入者——不僅限於傳統內容創作者,還涵蓋數字原生代內容創作者、各類企業,乃至使用數字平臺創作內容的個人。
歸根結底,我們應當十分清醒——當談到創作能夠引發共鳴、廣泛傳播、令人流連忘返的內容時,技術並非要取代我們。它只是讓內容創作者能夠更快速地試驗、原型化和創作不同內容,觸及新的、不同的受眾,跨越不同形式,並創造新的機遇。
在過去幾年裡,我們與在場的許多人密切合作,嘗試以不同形式推出各類數字內容,以便更好地瞭解如何支援這類短影片、社交優先、數字優先的內容。過去兩年裡,我們收穫頗豐。我認為我們是共同學習的——有許多磨合中的陣痛、經驗教訓與心得體會,但我也要說,過去兩年取得了令人鼓舞和振奮的進展。
我們共同創作了逾2,000個影片,堅持數字優先、社交優先,並實現了逾2億次本地影片播放量。我必須說,這非常令人鼓舞。
我們正在這一基礎上繼續前進。今天,我們正式推出新的"數字內容與能力發展計劃",以支援數字內容創作者,尤其是那些正在擴大規模的創作者。
該計劃分為兩個部分。我們將在未來幾年內撥出4,800萬新元,用於支援數字內容與能力發展——涵蓋新形式、新技術,尤其是在AI應用方面。
我認為,4,800萬新元是一個合理的起點。如果成效良好,如果我們看到切實價值,如果業界認為這對其發展抱負有所助益,我們準備進一步加大投入。
這是對去年12月我在新加坡媒體節上宣佈的2億新元"人才加速計劃"的補充。該2億新元計劃更側重於長篇內容、更成熟的形式及能力發展。
未來幾年,IMDA將合計撥出約2.5億新元支援媒體行業。
這是行業快速變革的時期。受眾正以截然不同的方式在眾多不同平臺上消費內容,內容的創作、發行與變現方式也湧現出新的參與者和商業模式。
在這一快速變革時期,我們正與業界攜手共同把握機遇。我們新加坡沒有假裝這些變化和環境驅動因素不存在的餘地。我們如何共同穿越這片新天地,並發現新加坡以外的新機遇?
"數字內容與能力發展計劃"將支援希望在更成熟形式上擴大規模的數字內容創作者。我們將就微短劇、較短篇電視劇等領域徵集提案,同時支援能力發展。
這些是更具實驗性、創新性的形式,藉助AI工具以不同方式創作內容。雖屬實驗性質、可能尚未經過驗證,但我們希望支援那些有意創新、勇於嘗試不同事物的內容創作者和企業。
除"數字內容與能力發展計劃"外,我們還與技能創前途(SkillsFuture Singapore,SSG)和全國職工總會(NTUC)等其他機構密切合作,精選一批AI培訓課程,作為全國AI影響計劃的組成部分。
在SSG網站上,有數百乃至數千門AI相關課程——其中部分可能並不那麼切題。為了梳理我們認為媒體行業需要建立的課程與能力,我們與SSG協作,並聽取了在場部分人士的意見,精選了55門課程,將在IMDA網站上呈現。如果您覺得逐一瀏覽所有課程令人不知所措,不妨查閱IMDA網站——那裡精選的55門課程或許是一個很好的起點。
這些課程獲SSG支援。如果您年滿40歲,最高可獲90%的課程費用補貼。我們已與NTUC合作,通過工會培訓援助計劃(UTAP)補貼剩餘10%,但設有一定的年度上限。此外,您還可使用技能創前途學分支付剩餘費用。
這些課程種類多樣——有長達文憑級別的長期課程,也有來自不同提供商的短期課程,旨在培養在這一快速演進的數字環境中所需的不同能力與技能。
重要的是,培訓、參加課程、建立技能組合與能力,必須落實到應用層面——為你的公司或工作創造真正的價值。請將"數字內容與能力發展計劃"視為支撐實際成果的抓手。在參加課程之前,不妨先想想你希望在工作場所解決的問題,或者你想培養的能力,例如,利用 Gen AI 進行故事板創作,或使用某些工具為特定專案製作動畫。帶著這樣的目標出發,思考你希望派員工或自己參加哪些課程,再將所學知識運用到實際專案和新的實踐中,期望這能形成一個良性迴圈。
我也希望大家能給我們提供反饋——哪些做法有效?哪些不奏效?哪些課程有用?請將反饋告訴我們,以便我們在推進過程中不斷完善和調整計劃。
計劃與培訓應當相輔相成,在企業中創造真正的影響力與價值。我非常高興地看到,許多行業夥伴已經開始探索實踐,並與我們分享了一些早期經驗與收穫,我們已嘗試將這些內容融入計劃之中。
我知道許多人向我分享了自己的專案,這令我深受鼓舞。
這是 NoonTalk 製作的作品(指螢幕上播放的影片)。據我瞭解,Dasmond 及其團隊嘗試了多種不同工具,內容完全由 AI 生成。他們在兩週內製作了五集內容,並與我分享了製作過程中大幅節省時間和成本的成果。
這是 Belive studio 與韓國合作方聯合打造的移動優先平臺內容(指螢幕上播放的影片)。整個製作歷時約五週。作品呈現了真實場景拍攝,與多位 K-pop 偶像合作,並輔以 AI 生成的特效。據團隊介紹,與傳統制作方式相比,成本節省約 80%。
看到許多行業參與者已經開始探索實踐,我感到非常振奮。藉助"數字內容與能力發展計劃"以及相關培訓,我們希望能夠加速並大力推動這些發展。
我要衷心感謝所有行業夥伴,過去數年來,他們與我們攜手合作,共同開發了許多計劃。我們也走訪了世界各地,汲取優秀實踐經驗。
我們生態系統的優勢在於,我們能夠吸取他人的最佳做法,並根據自身需求加以調整和演進——形成一種混合式、獨具新加坡特色的方式——汲取最佳理念與工具,並與來自不同生態系統的志同道合的夥伴攜手合作。這顯然是我們的優勢,我們絕不應失去這一優勢。關注其他行業、其他生態系統的動向,以務實、實用的態度加以借鑑,甚至做得更好,
但這段旅程並未就此止步。我們才剛剛開啟下一階段的征程,因此我鼓勵大家繼續與 IMDA 團隊保持合作。
這是業界、政府機構以及工會之間的緊密夥伴關係。
最後容我作個總結。在這個快速變革的時代——商業模式、做事方式、人工智慧等技術進步層出不窮——原地踏步並非一個選項。對新加坡而言,這不是一個選項;對新加坡媒體行業而言,更不是一個選項。
你們不必獨自前行。我們攜手同行,共同學習,共同尋找新機遇,共同把握這些機遇。
我們或許只是一個小紅點,但我們懷有遠大的夢想,志在超越新加坡這片小市場與地域侷限。
期待大家在計劃持續演進的過程中,繼續給予支援並提供寶貴意見。
非常感謝。
英文原文
MDDI 官網原始記錄 · 抓取日期: 2026-06-21
Mr Ng Cher Pong, CEO of IMDA
Ms Yvonne Tang, ACE of IMDA
IMDA colleagues, friends from the media industry and friends from the media.
Good morning, everyone. Today we are here to share some announcements on a new programme that MDDI and IMDA colleagues have put together to support our media industry.
We all know that technology is changing many sectors, especially artificial intelligence (AI) – not just Generative AI, but the whole host of technology that comes with it.
It is impacting the entire value chain for the media industry, from pre-production and conceptualisation, all the way to production, post-production, and how content is distributed, discovered, consumed by a diverse range of audiences on many different platforms.
But the media sector is used to such technological changes. Long time ago, we were on scheduled television – sitting in front of the TV, waiting for the time to catch the latest episode of our favourite drama – and now we have moved on to on-demand. From traditional long-form content to now digital-first, social media-first, with algorithms pushing content to you based on your preferences determined by artificial intelligence, on different platforms from broadcast, internet, social media platforms and now artificial intelligence.
Where do we go from here, and what does it mean for media sector that we hold so dear and so precious to all of us?
I believe the end of the day is about connections. It's about stories that we tell, whether it resonates with audiences, leaves an imprint on them, even after they step out the theatre, after watching the episode on their mobile phone or whatever platforms that they consume your content. Does it connect them to something deeper, make them laugh, make them cry, make them reflect, and connect to something that they feel strongly about – their identity, shared experiences, human emotions? How do we connect with audiences in this new digital age?
We are in a strong position. We have talented people in our industry – on screen, off screen, behind the screen, storytellers. Our Made-with-Singapore content is punching above its weight around the world – from Anthony Chen’s “We Are Not Strangers”, selected for the Golden Bear Berlin International Film, the very first Singaporean film to be competing in that arena, to Ervin Han’s “The Violinist”, pre- and post-war setting in Singapore. This shows that our Singaporean experiences are also appreciated by people outside this little red dot, because they talk about human connections, about something authentic and real.
We are starting from a good position with our Made-with-Singapore content making waves outside Singapore. At the same time, standing still is not an option. I mentioned some of the big trends earlier – new platforms, new audiences on those platforms, new content formats, micro dramas, AI-generated content.
My belief is that we should also see these trends as opportunities. Let me elaborate.
Singapore's market, especially for the media sector, is small, like many other industries. But creating content the traditional way, whether long-form TV series, visual effects, post-production, or animation, requires multi-million dollar budgets and long creation, distribution, and marketing cycles before any commercialisation opportunities come about. But using digital technology and AI tools shrinks the time to create content – from concept to first draft, first animation, first screen placement, to production and commercialisation. It shrinks the cycle and reduces the barriers to entry for different forms of content.
These are opportunities, especially for Singapore talents. But at the same time, when you lower barriers of entry, it also enables new entrants in a market – beyond your traditional content creators, to digital-native content creators, different firms, and even individuals creating content or using digital platforms.
At the end of the day, we should be very clear – technology is not replacing us when it comes to creating content that resonates, that travels, that makes people want to come back. It just enables content creators pilot, prototype and create different content more quickly, reaching new and different audiences, across different formats, and creating new opportunities.
Over the last couple of years, we have been working closely with a number of you to try out different digital content in different formats, to get a sense of how we can better support these short-form, social-first, digital-first content. Over the last two years we have learned a lot. I think we all learnt together – a lot of teething pains, lessons and takeaways, but I also say very encouraging and heartening progress over last two years.
Together, we created more than 2,000 videos, digital first, social first, and achieved more than 200 million local video views. I must say, this is very encouraging.
We are building on this foundation. Today, we are launching a new Digital Content and Capability Development programme to support digital content creators, especially those scaling up.
There are two parts to this. We are setting aside $48 million over the next few years to support digital content and capability development – in new formats, new technologies, and especially in how we are using AI.
$48 million is, I think, a sensible start. If the results are good, if we see good value, and if the industry finds this a good support for their ambitions, we are prepared to do more.
This is on top of the $200 million Talent Accelerator Programme, which I announced at the Singapore Media Festival last December. That $200 million programme focuses more on longer-form, more established formats and capability development
Together over the next few years, IMDA is setting aside about $250 million to support the media industry.
This is a period of rapid changes in the industry. Audiences are consuming content in so many different ways across many different platforms, with new entrants and business models of how content is created, distributed and monetised.
In this period of rapid change, we are journeying together with industry to seize opportunities. We in Singapore do not have the luxury of pretending that these changes and environment drivers do not exist. How do we traverse this world together and see those new opportunities outside Singapore?
The Digital Content & Capability Development programme will support the digital content creators looking to scale up in more established formats. We will call for proposals across areas such as micro dramas and shorter TV series, while also supporting capability development.
These are more experimental, innovative formats using AI tools to create content in different ways. Experimental and may have not yet been proven, but we want to support content creators and companies who want to innovate and try out different things.
In addition to the Digital Content & Capability Development programme, we are also working closely with other agencies like SkillsFuture Singapore (SSG) and NTUC to curate a set of AI training courses, as part of the National AI Impact programme.
On the SSG website, there are hundreds, or even maybe thousands of AI-related courses – and some may not be so relevant. To make sense of the courses and capabilities that we think the media industry needs to build up, we have worked together with SSG, with inputs from some of you here, to curate 55 courses that will be on IMDA’s website. If you find it overwhelming to navigate all these courses, take a look at IMDA’s website – the 55 curated courses there might be a good starting point.
These courses are supported by SSG. If you are 40 years above, you can get up to 90% of the course fees subsidised. We have worked with NTUC as part of the Union Training Assistance Programme (UTAP) to support the remaining 10% up to a certain yearly cap. On top of that, you can also tap on your SkillsFuture credit for the remaining fees.
The different range of courses – some longer courses all the way to a diploma, some short-term courses from different providers, aim at different competencies and skillsets needed in this rapidly evolving digital environment.
Importantly, training, attending courses, building skillsets and competencies must lead to something applied – delivering real value to your company or your work. Think of the Digital Content & Capability Development programme as the support for real deliverables. Before you attend the courses, you can think about the problems you wish to solve in your workplace or the capabilities you want to build up, for example, using Gen AI for storyboarding, or using some tools to create animation for certain projects. Start with that in mind, think about the courses you want to send your staff or yourself to attend, adapt and apply what you have learnt in the real projects and new experiences, and hopefully it becomes a virtuous cycle.
I also seek your assistance to give us your feedback – What works? What doesn't work? What courses are useful? Give us feedback so we can refine and adapt the programme along the way.
The programme and the training ought to go hand in hand to make real impact and create real value in organisations, and I'm very glad that you have many of our industry partners already experimenting and sharing with us some of the early lessons and takeaways, which we have tried to incorporate into the programme.
I know many of you have shared with me many of your projects, and I am very encouraged by that.
This is by NoonTalk (referring to video on the screen). I understand that Dasmond and team have experimented with different tools, totally generated by AI. Having created five episodes in two weeks, they shared with me significant time and cost savings in production.
This is by Belive studio, a Korean collaboration on mobile first platform (referring to video on the screen). It took about five weeks to do this. It features real-life action, working with some K-pop idols, augmented with AI-generated special effects. I understand from the team that it saw about 80% cost savings compared to traditional ways.
I am very heartened that many of our industry players have already started experimenting. With the Digital Content & Capability Development programme, as well as our training, we hope to accelerate and supercharge these developments.
I want to say a big thank you to all our industry partners, who have been working with us over the past couple of years to develop many of these programmes. We went to see good practices around the world.
The strength of our ecosystem we can take the best of what others are doing, adapt and evolve them for our needs – a hybrid uniquely-Singapore approach – tapping on the best ideas and tools, and working with like-minded partners from different ecosystems. That is obviously our strength, and we should never lose that strength. Looking at what other industries are doing, what other ecosystem systems are doing, and being pragmatic and practical in how we can adopt and perhaps even do better,
But the journey does not stop here. We are just starting on the next phase of our journey, so I encourage you to continue this collaboration with the IMDA team.
This is a close partnership between the industry, our government agencies, as well as our unions.
Let me just conclude. Standing still in this age of rapid change – in business models, new ways of doing things, age of technological advances like AI – is not an option. It is not an option for Singapore, and it is certainly not an option for the media sector in Singapore.
You do not have to journey this alone. We are walking the journey together. We are learning together. We are finding new opportunities and seizing those opportunities together.
We may be a little red dot, but we have big dreams that go beyond the small market and the geographical confines of where we are in Singapore.
Looking forward to your support as well as your inputs along the way as we evolve the programme.
Thank you very much.